There were moments in the film when sadness would touch a memory and it would become partially blue, or in some cases entirely blue.
(Photo: University of California-Berkeley) They guide us in our handling of really important life circumstances, like moves and developmental changes.ĭacher Keltner. One, are really critical to how we look at the world-our perception and our attention and our memories and our judgment. Well, I think that the film really got a couple of big ideas about emotions right. Let's start really broad: What did the film get right? Second was answering Pete's emails, which he literally still sends me to this day, where he asks me really specific science-based questions-like, what is joy, in terms of its physiology? Pete called me up like five years ago and said, "I want to talk to you about this idea for a movie all about emotion." My involvement really had a couple of different pieces: One was to visit Pixar and meet with Pete's core creative team and just talk about science, talk about what we know, talk about the brain, talk about expression. He was talking about other Pixar films and how they portray emotions. I was asked to be on a panel about expression with Paul Ekman. I met Pete Docter at an Association for Psychological Science conference seven or eight years ago. So take me to the beginning: How did you get involved with the making of Inside Out?
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